[et_pb_section fb_built=”1″ padding_top_bottom_link_1=”false” padding_top_1=”10%” padding_1_last_edited=”off|desktop” admin_label=”Header Section” _builder_version=”4.4.1″ background_color_gradient_direction=”90deg” background_image=”https://prueba.umbrafestival.com/wp-content/uploads/2020/02/FONDO-DEF-01.jpg” custom_margin=”||-200px|” custom_padding=”0%|0px|93px|0px|false|false”][et_pb_row _builder_version=”3.25″][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.2.2″ text_font=”gotham-book||||||||” text_font_size=”16px” text_line_height=”1.4em” header_font=”gotham-book||||||||” header_font_size=”50px” header_line_height=”1.5em” header_6_font=”||||||||” max_width_last_edited=”off|desktop” module_alignment=”center” custom_margin=”||-10px|||” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|desktop” header_font_size_tablet=”50px” header_font_size_phone=”32px” header_font_size_last_edited=”on|phone” inline_fonts=”gotham-book”]
Pórtico de la Iglesia de San Miguel
[/et_pb_text][et_pb_text _builder_version=”4.4.1″ text_font=”gotham-book||||||||” text_font_size=”16px” text_line_height=”1.3em” header_font=”||||||||” header_font_size=”50px” header_line_height=”0.1em” header_6_font=”||||||||” max_width_last_edited=”off|desktop” module_alignment=”center” custom_margin=”||-10px|||” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|desktop” header_font_size_tablet=”50px” header_font_size_phone=”32px” header_font_size_last_edited=”on|phone” header_3_font_size_tablet=”” header_3_font_size_phone=”18px” header_3_font_size_last_edited=”on|phone” header_3_line_height_tablet=”” header_3_line_height_phone=”2.2em” header_3_line_height_last_edited=”on|phone” inline_fonts=”gotham-book”]Anna Rosa Rupp (DE)
[/et_pb_text][et_pb_text _builder_version=”4.4.2″ text_font=”gotham-book||||||||” text_font_size=”20px” text_line_height=”1.5em” header_font=”gotham-book||||||||” header_font_size=”9px” header_line_height=”1.5em” header_6_font=”||||||||” max_width_last_edited=”off|desktop” module_alignment=”center” custom_margin=”40px||||false|false” custom_padding=”3px|||||” hover_enabled=”0″ text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|desktop” header_font_size_tablet=”50px” header_font_size_phone=”32px” header_font_size_last_edited=”on|phone” inline_fonts=”gotham-book”]Lightprint / Indefinite Nations
The colors and the forms are based on abstract impressions of xylography on paper, which in constant movement create variations of composition in the space: forms that “dance” and compose at each moment a new relation with the environment.
“The interaction between the architecture and the images projected, originates a new scenario of reflection, distortion and deviation. Working in my impressions is like a research process: I make something and I see what is born. And only when I perceive a resonance from what I see, I know what I was searching. I apply what I have and I look for its echoes.”
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