[et_pb_section fb_built=”1″ padding_top_bottom_link_1=”false” padding_top_1=”10%” padding_1_last_edited=”off|desktop” admin_label=”Header Section” _builder_version=”4.4.1″ background_color_gradient_direction=”90deg” background_image=”https://prueba.umbrafestival.com/wp-content/uploads/2020/02/FONDO-DEF-01.jpg” custom_margin=”||-200px|” custom_padding=”0%|0px|93px|0px|false|false” global_colors_info=”{}”][et_pb_row _builder_version=”3.25″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.2.2″ text_font=”gotham-book||||||||” text_font_size=”16px” text_line_height=”1.4em” header_font=”gotham-book||||||||” header_font_size=”50px” header_line_height=”1.5em” header_6_font=”||||||||” max_width_last_edited=”off|desktop” module_alignment=”center” custom_margin=”||-10px|||” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|desktop” header_font_size_tablet=”50px” header_font_size_phone=”32px” header_font_size_last_edited=”on|phone” inline_fonts=”gotham-book” global_colors_info=”{}”]
Plaza de los Fueros
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[/et_pb_text][et_pb_text _builder_version=”4.13.1″ text_font=”gotham-book||||||||” text_font_size=”19px” text_line_height=”1.5em” header_font=”gotham-book||||||||” header_font_size=”9px” header_line_height=”1.5em” header_6_font=”||||||||” max_width_last_edited=”off|desktop” module_alignment=”center” custom_margin=”40px||||false|false” custom_padding=”3px|||||” hover_enabled=”0″ text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|desktop” header_font_size_tablet=”50px” header_font_size_phone=”32px” header_font_size_last_edited=”on|phone” inline_fonts=”gotham-book” global_colors_info=”{}” sticky_enabled=”0″]ESTADOS ALTERADOS DE TEMPO
Time is a concept deeply ingrained in us from birth. Our lives are organized into structured sections of temporal structures that give us a beginning and an end. This installation explores the perception of time in a sensorial sense, confronting the collective and personal perception of time.
Playing through movement and shadows, the former is presented as a new unit of media while the latter, as its representation. The light personifies a public speaker who without voice merely communicates through time and rhythm, inviting the audience to be part of a sensorial and perceptual game. The tempo speeds up or slows down objectively, trying to mark its structure in the subjectivity of the spectator.
A work designed as an invitation to a journey that orders to slow down to have
time for contemplation.